Where Melakarthas started
STORY OF VENKATAMUKHI - CREATOR OF 72 MELAKARTHA
Kumbakonam has many ancient names - Thiru Kuzhandai, Bhaskara kshetram, and Koodavayil. It is surrounded in every direction by ‘Koyil gopuram’, or temple towers. It is a town where just around the corner from every doorstep exists the entryway of an ancient temple structure. A structure sculpted by stories, celebrated by devas and rishis, and memorialized by music and dance. It is the glory of the past that is breathing in the present…and will stay alive in the future.
The Story of Venkatamakhi
Four hundred years ago at the doorstep of Raja Kavya Veda Patashala school, Kumbakonam, Venkatamakhi brings his magnum opus work, “Chatur-Dhadi-Prakashika” to his parents, Govinda Dikshithar and Nagalambal. With their blessings he is ready to present his work to the world. All his life Venkata had been waiting for this occasion, but first he is lost in the own thoughts. That sad dark day when his prodigal brother had died young. He spent all his time studying the work of his elders, practicing Veena and writing so that one day he could fill the void his brother left.
The Swetha Vinayagar
Venkata’s reverie takes him to the streets of Kumbakonam when he was just a little boy. Here processions from various temples filled him with joy. On one such procession is carried the Swetha Vinayagar from Thiruvalanchuli, Kabartheeswarar temple. This Vinayagar is white as foam made during the ‘churning of ocean’ - ‘samudra manthan’.
Adi Kumbeshwara
Venkatamakhim notices another procession from the Adi Kumbeshwarar temple. This was the temple that Sri Purandara Dasa had visited, and indeed every Dasa Kriti that Venkata learns is like another piece of puzzle falls into place.
The dancers tell the story of Adi Kumbeshwara as the one that shot his arrow and broke the Kumba pot to begin civilization.
Sarangapani
Through the tallest gopuram of Sarangapani comes the procession of Maha Vishnu, or Aara Amudan. Venkatamakhim gazes up at that gopuram and remembers the determination and diligence of Sri Lakshmi Narayana Swami.
Kalyanasundareshwara
Chakrapani
In 1620 Govinda Dikshithar builds the Ramaswamy temple and makes a new high road connecting it to the Chakrapani temple. When the procession comes out on this road, Ayyan Veedhi people are jubilant. Venkata adores his father’s care for all the people of this town. Venkata knows that this quality of his father is hardest for him to emulate.
The Mahamaham Tank
As a young man, Venkatamakhim joins his parents Govinda Dikshithar and Nagalambal as they construct the mantapams for the nine river goddesses around the Mahamaham Tank in the heart of Kumbakonam.
From Thirunallur, come the procession of Nataraja. This Lingam is also called Panchavarnehwara because of the changing colors. Venkata is now older and already thinking of writing his book. The Somaskandar murthi in this temple is his favorite deity. Venkata already knows the first verse in his book is going to be ‘Somaskandar Upasmahe’
akila iyer
AKILA IYER - CHOREOGRAPHER
Akila Iyer began her training in Bharathanatyam under Guru Dhananjayan’s Bharathakalanjali in Chennai. This early experience gave her a sound foundation in dance as well as the mind to appreciate the beauty of language. When Iyer moved to the United States, she was introduced to Smt. Rekha Balaji, who encouraged her to start her school, Guru Vandana Arts Academy in 2001. Later she tenured with Dr. Vasundhara Doraswamy, who helped her to bloom as a choreographer within the distinct Pandanallur style of Bharathanatyam.
Through Guru Vandana Arts Academy, Iyer brings disciplined and focussed training in Bharatanatyam. Her students have performed in many venues all over the United States. A few memorable performances and competitive wins include the St. Louis Indian Dance Festival (MO), Detroit Bharathiya Temple (MI), The Louisville Yum Center for his HH Dalai Llama (KY), and the Sivan competitions (MI). Iyer is also known for her creative dance drama productions that she produces yearly for the Louisville community.
These contributions span over her almost two decades of teaching, creating, and expressing. Her dedication spawned the establishment of the Non-profit organization, the Guru Vandana Academy which has held an annual Indian classical dance and music festival since 2012 in Louisville KY titled the Geeva Arts Festival. This venture brings many performers from all over the world to our doorstep, placing our community, and city, on the map of the Indian classical artistic world. Akila works and dreams of making every student feel welcome in the expression of dance. She encourages her academy to grow and create through the ancient practices of dance, through hard work, kindness, and creativity.
As the years have progressed, Guru Vandana Arts Academy, has also expanded to include music in its curriculum. With beginner lessons under Kum. Shyama Iyer, and advanced lessons under world class artists from Bangalore, India - Smt. Pusthakam Ramaa. The school has also developed a premier “company” which produces online videos as well as several performances throughout the region. Follow us, or subscribe today, to stay up to date on our work!